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Tag Archives: Jerome Kern
History of Musicals: Broadway Goes Bust
Broadway’s Roaring Twenties came to a roaring close with the rise of Hollywood’s “talkies” and the fall of the stock market. The subsequent exodus of talent posed a serious challenge for stage musicals. In 1929, Irving Berlin and Jerome Kern … Continue reading
Posted in History
Tagged Americana, Anything Goes, As Thousands Cheer, Cole Porter, Ethel Merman, Ethel Waters, Fred Astaire, Gene Kelly, George Abbott, George Gershwin, Hellzapoppin, Ira Gershwin, Irving Berlin, Jerome Kern, John Houseman, Kaufman & Hart, Knickerbocker Holiday, Kurt Weill, Marc Blitzstein, Marilyn Miller, Maxwell Anderson, Of Thee I Sing, Olsen & Johnson, Orson Welles, Otto Harbach, Pal Joey, Pins and Needles, Roberta, Rodgers & Hart, Schwartz & Dietz, The Band Wagon, The Cradle Will Rock, The Threepenny Opera, Victor Moore, Vivienne Segal, Walter Huston, William Gaxton, Yip Harburg
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History of Musicals: Hollywood Beckons
Short sound films were a popular novelty in nickelodeons at the turn of the 20th century. One of the most successful systems was Cameraphone, created in 1907 by James A. Whitman. In the fourth floor studios above Daly’s Theatre, not … Continue reading
Posted in History
Tagged 42nd Street, Arthur Freed, Astaire & Rogers, Babes in Arms, Busby Berkeley, Irving Berlin, Jeanette MacDonald, Jerome Kern, Love Me Tonight, Rodgers & Hart, Shirley Temple, Snow White, The Broadway Melody, The Great Ziegfeld, The Jazz Singer, The Little Colonel, The Singing Fool, The Wizard of Oz, Top Hat
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History of Musicals: First Golden Age
It’s been noted that the form of modern musical theater came from operetta, but its soul came from the music hall. This union of body and soul took place during the first two decades of the 20th century, beginning with … Continue reading
Posted in History
Tagged Andy Razaf, Eubie Blake, Fats Waller, George Gershwin, George M. Cohan, Guy Bolton, Harry B. Smith, Ira Gershwin, Irving Berlin, Jerome Kern, Little Johnny Jones, Noble Sissle, Oscar Hammerstein, Otto Harbach, P.G. Wodehouse, Princess Theatre, Rida Johnson Young, Rodgers & Hart, Show Boat, Shuffle Along, Very Good Eddie, Ziegfeld Follies
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Essential Film Musicals: Meet Me in St. Louis
After working as an uncredited associate producer on The Wizard of Oz, Arthur Freed was given charge of his own unit at MGM. His first effort was the film adaptation of Rodgers and Hart’s stage musical Babes in Arms (1939), … Continue reading
Essential Film Musicals: Top Hat
“When Hollywood revived musical films three years ago, dancing was monopolized by director Busby Berkeley,” Newsweek magazine noted in its 1935 review of Top Hat. “Thanks more to Fred Astaire than any other single influence, the character of musicomedy in … Continue reading
Posted in History
Tagged Astaire & Rogers, Dorothy Fields, Hermes Pan, Irving Berlin, Jerome Kern, Pinocchio, Swing Time, Top Hat
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Essential Musicals: Show Boat
To learn the functional basics about any subject and to accumulate a working vocabulary of that field, you should know something about its history. Even artistic revolutionaries like Picasso studied the Old Masters. You wouldn’t drive forward into moving traffic … Continue reading
Posted in History
Tagged Jerome Kern, Oscar Hammerstein, Porgy and Bess, Show Boat, The Mikado
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Making Musicals: Music First
If you have experience with music, you may want to begin by writing the melody instead of the lyrics. One good way to compose a song is to build it in small pieces, bit-by-bit from motif to phrase to period. … Continue reading
Posted in Writing
Tagged Come from Away, Jerome Kern, John Williams, Maestra Music, Musical of Musicals, Musopen, Sankoff & Hein, Show Boat, Star Wars
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