Broadway Birthday: Leslie Bricusse

Happy Birthday to multi-award-winning composer Leslie Bricusse, born Jan. 29, 1931, in London. He attended Cambridge, where he was president of the Footlights Revue Club, founded the Musical Comedy Club, and created his first two musicals, Out of the Blue and Lady at the Wheel. Actress Beatrice Lillie plucked him from Footlights to be her leading man in An Evening with Beatrice Lillie, and he spent the first year of his professional life writing the musical The Boy on the Corner and the film Charley Moon, which earned him his first Ivor Novello Award, leading him to drop performing and concentrate on writing. Since then, Bricusse has written more than 40 musical shows and films. Below is the trailer for the 1956 film Charley Moon.

His most frequent collaborator has been Anthony Newley. Their first West End show was Stop the World — I Want to Get Off (1961), starring Newley and Anna Quayle. David Merrick brought the production to Broadway in 1962, and it received five Tony nominations, including musical, book, and score. Its finale, “What Kind of Fool Am I?,” also earned Bricusse and Newley the Novello Award and the Grammy Award for best song of the year, while the cast album earned a Grammy nomination. Below is Newley singing “What Kind of Fool Am I?” in his 1969 Hollywood Palace show (starting about 1:30).

After cowriting “Goldfinger” with John Barry for the 1964 Bond film, the team’s next show was the 1965 Broadway musical The Roar of the Greasepaint — The Smell of the Crowd, which earned six Tony nominations, including score. Its first act closer, “Who Can I Turn To?,” earned Bricusse and Newley another Grammy nomination for song of the year. Below is Newley singing “Who Can I Turn To?”

 Their other collaborations include the score for the 1971 film Willy Wonka & the Chocolate Factory, earning an Oscar nomination. Its song “Candy Man” spent three weeks at #1 on the Billboard charts in 1972. Bricusse went solo for the score to the 1967 film Doctor Dolittle, earning an Oscar for the song “Talk to the Animals” and a nomination for the score, and the 1970 film Goodbye, Mr. Chips, which also earned Bricusse an Oscar nomination for score. Below is Sammy Davis Jr. singing his chart-topping “Candy Man.”

Working solely as a lyricist, Bricusse has collaborated with a range of composers. With Cyril Ornadel, he scored the stage musical Pickwick (1963). With Ian Fraser, he earned an Oscar nominations for the score to the 1970 film Scrooge and its song “Thank You Very Much,” which you can watch below, performed by Anton Rodgers and the film cast.

With Henry Mancini, he won an Oscar and earned a Grammy nomination for the score of the 1983 film Victor/Victoria, as well as an Oscar nomination for the song “Life in a Looking Glass” from the 1987 film That’s Life. With John Williams, Bricusse earned Oscar noms for the songs “Somewhere in My Memory” from the 1991 film Home Alone and “When You’re Alone” from the 1992 film Hook. Below is Julie Andrews singing “Le Jazz Hot” from Victor/Victoria.

Bricusse was last represented on Broadway with the book and lyrics to Jekyll & Hyde, which brought him his fifth Tony nomination, and four songs from the film Willy Wonka interpolated into the score of Charlie and the Chocolate Factory (2017). Below is Robert Cuccioli singing “This Is the Moment” from Jeyll & Hyde.

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Today in Musical History: Sarafina!

The South African musical Sarafina! opened Jan. 28, 1988, at Broadway’s Cort Theatre and ran for 597 performances. The show was inspired by the 1976 Soweto Riots, led by black high school students protesting the white Afrikaner government’s decree that Afrikaans and English be used for classroom instruction. About 20,000 students took part in the protests, with some 200 to 700 being killed by police. The show was first presented at Johannesburg’s Market Theatre in June 1987. Lincoln Center brought the show to Broadway. This journey was chronicled in the documentary feature Voices of Sarafina!, which you can watch below.

The musical was conceived and directed by Mbongeni Ngema, who also wrote the book, music, and lyrics. The show presents an uprising similar to that in Soweto, led by schoolgirl activist Sarafina, played by Ngema’s wife, Leleti Khumalo, who received a Tony Award nomination as Best Featured Actress in a Musical for her portrayal of the title character. The production was also nominated for four other Tony Awards: Best Musical, Best Original Score (Ngema and Hugh Masekela), Best Choreography (Ngema and Ndaba Mhlongo), and Best Direction of a Musical (Ngema). Below is the cast at the 1998 Tony Awards.

The show was later adapted as a 1992 film directed by Darrell Roodt and written by Ngema and William Nicholson. It stars Leleti Khumalo (reprising her role of Sarafina), Miriam Makeba (Angelina), John Kani (School Principal), Ngema (Sabela), and Whoopi Goldberg (Mary Masembuko). Below is the film cast in “Freedom Is Coming Tomorrow.”

https://youtu.be/Q_T2Fx77QbM

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Out for Blood Preview

The first two episodes of Out for Blood, a new series exploring the history of the infamous Broadway musical Carrie, have premiered on the Broadway Podcast Network. Hosts Holly Morgan and Chris Adams, lifelong fans of the 1988 musical, interview the creators, original stars, fellow super-fans, and others to answer their burning questions about the show’s journey from the Royal Shakespeare Company to Broadway and beyond. Upcoming guests include lyricist Dean Pitchford and original cast members Linzi Hateley, Charlotte d’Amboise, and Sally Ann Triplett as well as 2012 revival director Stafford Arima and cast members Molly Ranson and Carmen Cusack. You can listen to the trailer below.

In 1981, Lawrence D. Cohen, who wrote the 1976 film Carrie, and Michael Gore began work on a musical of the Stephen King novel. They soon brought in Gore’s Fame collaborator Dean Pitchford, and in 1984, they staged a workshop of the first act with Annie Golden (Carrie), Maureen McGovern (Mrs. White), and Laurie Beechman (Miss Gardner). The RSC premiered the full show for a limited engagement on Feb. 13, 1988, in Stratford, England. Directed by Terry Hands and choreographed by Debbie Allen, the cast included Linzi Hateley (Carrie), Barbara Cook (Mrs. White), and Darlene Love (Miss Gardner). This production transferred to Broadway in April, with Betty Buckley replacing Cook, opening May 12 and closing three days later. Below is the press reel for the 1988 Broadway production.

The creative team subsequently revised the show and held a reading of the new version in 2009, with Molly Ranson (Carrie), Marin Mazzie (Mrs. White), and Sutton Foster (Miss Gardner). MCC Theater then produced the Off-Broadway revival on Mar. 1, 2012, with Carmen Cusack replacing Foster. The production received nominations as best revival from the Drama Desk, Drama League, Outer Critics Circle, and Lucille Lortel Awards. The revival recording also topped Billboard’s Cast Albums chart. The 2012 version was later seen on London’s Off-West End in 2015 with Evelyn Hoskins (Carrie), Kim Criswell (Mrs. White), and Jodie Jacobs (Miss Gardner).

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Today in Musical History: Joseph

Joseph and the Amazing Technicolor Dreamcoat opened Jan. 27, 1982, on Broadway, more than a dozen years after its British premiere. The sung-through musical, with lyrics by Tim Rice and music by Andrew Lloyd Webber, is based on the Biblical story of Joseph from Genesis. It was the first Lloyd Webber and Rice musical to be performed. Their first collaboration, The Likes of Us, written in 1965, was not performed until 2005. 

Joseph’s long journey to Broadway began when music teacher Alan Doggett, a family friend who had helped on The Likes of Us, commissioned Lloyd Webber and Rice to write a Biblical “pop cantata” for his Colet Court School choir, and a 15-minute Joseph and the Amazing Technicolor Dreamcoat was first presented at the school on Mar. 1, 1968. Lloyd Webber’s father arranged a second performance at his church, where a 20-minute version was performed by Colet Court students in May. Derek Jewell, a Colet Court parent and Sunday Times music critic, reviewed the piece favorably, lending impetus for a third performance of a 35-minute version at St. Paul’s Cathedral in November. In 1969, Novello published the 20-minute score, and Decca released the 35-minute recording, which featured David Daltrey as Joseph and Tim Rice as Pharaoh. The first U.S. production was in May 1970 at Cathedral College of the Immaculate Conception in Queens, New York.

The show’s professional premiere was the 1972 Young Vic production at the Edinburgh Fringe, with Gary Bond as Joseph, Gordon Waller as Pharaoh, and Peter Reeves as Narrator. Later that year, the company remounted the show in London, while RSO released the cast album and Granada TV broadcast the show in the U.K. In 1973, the Young Vic version moved to London’s West End, paired with the one-act Jacob’s Journey, written by Lloyd Webber and Rice to a book by Ray Galton and Alan Simpson, and ran for 243 performances. Below is the full 1972 Granada TV broadcast.

The first production of the show in its final form was in 1974 at the Haymarket Theatre in Leicester. In 1976 and 1977, Brooklyn Academy of Music presented this version as its holiday show, with David-James Carroll as Joseph, William Parry as Pharaoh, and Cleavon Little as Narrator. Joseph then opened Off-Broadway on Nov. 18, 1981, with Bill Hutton as Joseph, Tom Carder as Pharaoh, and Laurie Beechman as Narrator. This is the production that transferred to Broadway’s Royale Theatre on Jan. 27, 1982 and ran for 747 performances. It received six Tony Award nominations, including Best Musical and Best Original Score. Below is Laurie Beechman and the Broadway cast in a medley at the 1982 Tony Awards.

The show’s three London revivals (1991, 2003, 2019) each received an Olivier Award nomination for Best Musical Revival. The 1991 production received five other Olivier noms, including those for Jason Donovan as Joseph and Linzi Hateley as Narrator. The cast album also topped the UK charts for two weeks, and the single “Any Dream Will Do” was the #1 UK single for two weeks. The 2019 production received a second Olivier nom for Jac Yarrow as Joseph. Below is Jason Donovan and the 1991 West End revival cast in “Any Dream Will Do” at the 1992 Olivier Awards.

The 1999 direct-to-video film adaptation, based on the 1991 London production, starred Donny Osmond as Joseph, Robert Torti as Pharaoh, and Maria Friedman as Narrator. Below is Osmond and the film cast in “Close Every Door.”

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2020 AFI Award Honorees

Yesterday, the American Film Institute announced the recipients of its 2020 AFI Awards. Among the musical honorees named on the list of AFI Movies of the Year are the adaptation of August Wilson’s Ma Rainey’s Black Bottom and the Pixar animated feature Soul. Additionally, the live stage recording of Hamilton received a special award from the American Film Institute. Selections are made through a jury process where AFI Trustees, artists, critics, and scholars determine the year’s most outstanding achievements and provide artistic and cultural context for the selection of each honoree. AFI’s global Movie Club program will showcase the official selections in February, with the award tributes culminating in a virtual ceremony on Feb. 26 at AFI’s YouTube channel and homepage. For a full list of honorees, visit AFI.com.

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Broadway Birthday: Ariana DeBose

Happy Birthday to Tony nominee Ariana DeBose, born Jan. 25, 1991, in North Carolina. She began her dance training in Raleigh and came to national attention when she she made the Top 20 on the 2009 season of So You Think You Can Dance. After the TV show, she enrolled in Western Carolina University but soon left and moved to New York City, sleeping on the couch of her mentor Charlotte d’Amboise. 

In 2011, DeBose booked the role of Nautica in the regional premiere of Bring It On and an ensemble role in the New York Philharmonic concert of Company, which was filmed for TV. She rejoined Bring It On for its national tour, making her Broadway debut with the show in 2012. Below is her dance solo to Patti LaBelle’s “2 Steps Away,” choreographed by Martha Nichols, on So You Think You Can Dance.

In 2013, DeBose returned to Broadway as Mary Wilson in Motown, then took over the role of Leading Player in Pippin (sharing the stage with D’Amboise) in 2014. She left Pippin to appear as the Bullet in the Off-Broadway production Hamilton in 2015, moving to Broadway with that show later in the year. She received an Astaire Award nomination for her performance. She left Hamilton in 2016 to join A Bronx Tale. Below is rehearsal footage of that show, including DeBose singing the second act opener, “Webster Avenue” (starting about 1:25 in the video).

DeBose next appeared on Broadway in 2018 as the Disco Donna in the musical biopic Summer. For her performance, she received a 2018 Tony Award nomination (her first) for Best Performance by a Featured Actress in a Musical. Below is DeBose and the other two Donnas (LaChanze and Storm Lever) performing “Last Dance” at the Tony Awards.

Most recently, DeBose played Alyssa Greene in the film adaptation of The Prom and Anita in the upcoming film adaptation of West Side Story. She can also be heard in the current podcast As the Curtain Rises. Below is DeBose and Jo Ellen Pellman in “Alyssa Greene” from The Prom.

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In Memoriam: Bob Avian

Tony-winning choreographer Bob Avian died Jan. 21 in Fort Lauderdale, Fla. Born Robert Avedisian on Dec. 26, 1937, in New York, Avian earned his bachelor’s from Boston University and began his career as a dancer, making his Broadway debut in the 1960 revival of West Side Story. He followed that with ensemble roles in Nowhere to Go But Up (1962), Funny Girl (1964), and Cafe Crown (1964). He moved behind the scenes as assistant stage manager for I Do! I Do! (1966) and assistant choreographer of Promises, Promises (1969) for Michael Bennett, whom he had met during the 1959 European tour of West Side Story. Below are Julane Stites, Baayork Lee, and Donna McKechnie with the Promises, Promises ensemble in “Turkey Lurkey Time” at the 1969 Tonys.

For the next two decades, Avian worked on all of Bennett’s productions, including the musicals Coco (1969), Company (1970), Follies (1971), and Seesaw (1973). In 1976, he won his first Tony for co-choreographing A Chorus Line. Below is the original cast of A Chorus Line in “I Hope I Get It” at the 1976 Tony Awards.

Avian’s second Tony was for choreography of the 1979 musical Ballroom, for which he also was producer. He later produced the Broadway premiere of Dreamgirls (1981). Below are the original Dreamgirls performing the title song at the 1983 MDA Telethon.

For producer Cameron Mackintosh, Avian choreographed the London premiere of Follies as well as the London and Broadway productions of Miss Saigon, for which he earned a 1991 Tony nomination. His last Tony nomination was for the choreography of Sunset Boulevard (1995). Below is the cast of Miss Saigon at the 1991 Tony Awards.

His other London choreography credits include the West End premieres of Martin Guerre, for which he won an Olivier Award, and The Witches of Eastwick. Off-Broadway, he choreographed the revue Putting It Together, as well as the show’s 1999 Broadway transfer. Below is a medley from the Broadway cast of Putting It Together.

His most recent credits include directing the 2006 Broadway and 2013 London revivals of A Chorus Line. His final show was the 2017 Broadway revival of Miss Saigon. His memoir, Dancing Man: A Broadway Choreographer’s Journey, was published last year.

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Today in Musical History: Jacques Brel

The revue Jacques Brel Is Alive & Well & Living in Paris debuted Off-Broadway on Jan. 22, 1968, at the Village Gate in Greenwich Village and ran 1,847 performances over the next four years, before transferring to Broadway for a brief run in September 1972. The show featured some two dozen of Brel’s songs, translated by Eric Blau and Mort Shuman and performed by a quartet of vocalists. When Blau first discovered Brel’s songs, he became infatuated with them, presenting some in the 1961 revue O, Oysters! Then Blau and Shuman came up with the idea of a whole night of Brel’s songs, and the two worked together to translate more lyrics and write new material to wrap around Brel’s music. 

The original cast of four, directed by Moni Yakim, included Shuman, Shawn Elliott, Alice Whitfield, and Blau’s wife, Elly Stone. The Broadway cast included Stone, George Ball, Joe Masiell, and Henrietta Valor. Below is Stone singing “Marieke” in the 1975 film.

Singer Scott Walker’s first three solo albums each contains three of the Blau–Shuman translations, including his first solo single, “Jackie,” which hit #22 in 1967 on the UK charts. Fellow Brel disciple Marc Almond reached #17 in the UK with his 1991 cover of “Jackie.” David Bowie was yet another fan of the revue, listing the cast album among his 25 favorite albums, and released his cover of “Amsterdam” in 1973. Below is Walker performing “Jackie” for British TV.

The 1975 film adaptation added five new songs. Screenwriter Blau and director Denis Héroux also reconfigured the song order, dropped one woman, and added a chorus of hippies and eccentrics. The cast was led by Shuman and Stone, reprising their stage performances, and Masiell, from the show’s Broadway run. Brel, who had no part in the stage production, was recruited for a cameo, performing “Ne me quitte pas,” which you can watch below.

The show had its first Off-Broadway revival in 1974, directed by Shuman, with Jack Blackton, Barbara Gutterman, Stan Porter, and Henrietta Valor, who was in the Broadway cast. The 20th-anniversary concert at New York’s Town Hall, directed by Stone, featured Karen Akers, Shelley Ackerman, Elmore James, and Kenny Morris. The show returned to the Village Gate in 1992 for a limited run, again directed by Stone, with Gabriel Barre, Andrea Lynn Green, Joseph Neal, and Karen Saunders. In 1995, it played the West End with Michael Cahill, Alison Egan, Liz Greenaway, and Stuart Pendred. 

In 2006, a revised production opened Off-Broadway, receiving Drama Desk, Drama League, and Outer Critics Circle nominations for best revival. It was directed by Gordon Greenberg and starred Robert Cuccioli, Natascia Diaz, Rodney Hicks, and Gay Marshall. That version ran in 2014 on London’s Off-West End with Gina Beck, Daniel Boys, David Burt, and Eve Polycarpou.

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Celebrating America

Some of Broadway’s biggest names participated in a medley of Rent’s “Seasons of Love” and Hair’s “Let the Sun Shine In” during the concert Celebrating America, which aired Jan. 20 as part of the festivities of President Joe Biden’s inauguration. Performers in the segment included original Rent stars Anthony Rapp, Daphne Rubin-Vega, and Wilson Jermaine Heredia, as well as Hamilton alums Christopher Jackson and Renée Elise Goldsberry, with Tony winners and Broadway veterans Derrick Baskin, Laura Benanti, Fredi Walker-Browne, Betty Buckley, Andy Karl, Ruthie Ann Miles, Javier Muñoz, Orfeh, Chita Rivera, Seth Rudetsky, and Natasha Yvette Williams.

https://youtu.be/SeO5l-8nc7Y

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Today in Musical History: The original Wizard of Oz

The first musical adaptation of The Wizard of Oz opened Jan. 21, 1903, on Broadway. Novelist L. Frank Baum had asked his friend Paul Tietjens (a composer) to help him bring his book to the stage. They completed the script and score in 1901 and submitted them to theater manager Fred R. Hamlin, who then approached Julian Mitchell to direct. Mitchell brought in A. Baldwin Sloane (and others) to contribute new songs and writer Glen MacDonough to rework the script and lyrics. Baum was anxious, but he trusted Mitchell’s experience. The show began its out-of-town tryout at the Chicago Grand Opera House on June 16, 1902, and moved to New York’s Majestic Theatre at Columbus Circle in January, where it was a success, running 293 performances on Broadway, followed by numerous tours and a revival in 1904.

Mitchell’s team introduced several new characters and incidents, while deleting the Wicked Witch of the West entirely. Among the new roles were the cow Imogene (replacing Toto as Dorothy’s companion), King Pastoria II, waitress Tryxie Tryffle, lunatic Cynthia Cynch, and poet Sir Dashemoff Daily. This version also introduced two lasting revisions. It gave Dorothy the last name Gale, later mentioned in Baum’s novel Ozma of Oz (1907), and introduced the snowfall the Good Witch of the North uses to break the sleeping spell of the poppies, later used in the 1939 film version. Below is Oz enthusiast Bill Campbell’s edited recreation of the production, using a toy theater he designed based on the original script and photos, accompanied by songs from the original score.

The original cast included Anna Laughlin (Dorothy), Fred A. Stone (Scarecrow), David C. Montgomery (Tin Man, aka Nick Chopper), Arthur Hill (Cowardly Lion), Edwin J. Stone (Imogene), Edith Hutchins (Witch of the North), and Bobby Gaylor (Oz), as well as Helen Byron (Cynthia Cynch), Bessie Wynn (Sir Dashemoff Daily), Gilbert Clayton (King Pastoria II), and Grace Kimball (Tryxie Tryffle). Below are some original photos and artwork from the 1903 production, accompanied by selections of the original score performed by Arthur Pryor’s Band.

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