In Memoriam: Christopher Plummer

Triple Crown-winning performer Christopher Plummer died Feb. 5 at his home in Weston, Conn. Born Dec. 13, 1929, in Toronto, Plummer’s parents divorced soon after his birth, and he was raised by his mother in Montreal. He was studying to be a concert pianist, when he fell in love with theater at the High School of Montreal. As Mr. Darcy in the school’s 1946 production of Pride and Prejudice, he caught the attention of Herbert Whittaker, who cast the 18-year-old actor in Montreal Repertory’s production of La Machine infernale. Plummer continued to apprentice with company instead of attending college.

In 1953, he made his TV debut in the CBC-TV Encounter series presentation of Othello. A year later, he made his Broadway debut in the play The Starcross Story, which closed on opening night, but in 1955, he won a Theatre World Award for the play The Dark Is Light Enough. In 1958, he made his film debut in Stage Struck, appeared in the TV drama Little Moon of Alban (for which he received his first Emmy nomination), and opened on Broadway in the Pulitzer-winning J.B.(for which he received his first Tony nomination).

He found international fame as Captain von Trapp in the 1965 Oscar-winning musical film The Sound of Music, which he publicly despised, although he softened a bit in his 2008 autobiography In Spite of Me. Bill Lee dubbed Plummer’s voice in the released film, but the clip below features Plummer’s own singing voice in “Edelweiss.”

In 1973, Plummer returned to Broadway in his only stage musical appearance, Cyrano, which earned him Tony and Drama Desk awards. Below, you can hear him in the show’s opening song, “Cyrano’s Nose.” Among his other Broadway work, Plummer received a Tony for Barrymore (1997) and nominations for Othello (1982), No Man’s Land (1994), and King Lear (2004). Among his TV work, he won Emmys for The Moneychangers (1976) and The New Adventures of Madeline (1995), out of seven nominations. He also received a 1986 Grammy nomination for the children’s album The Nutcracker.

His later musical work is primarily in animated films, including An American Tale (1986), Rock-a-Doodle (1991), and Babes in Toyland (1997). Below is Plummer as Henri, brightening Fievel’s spirit with “Never Say Never” in An American Tail. His other soundtrack appearances include Lucky Break (2001), singing “There Is Nothing’ Like a Dame” to a group of prison inmates putting on Nelson: The Musical, and Remember (2015), where he shows his piano skills in Mendelssohn’s first Piano Concerto and Wagner’s “Liebestod” from Tristan und Isolde.

Plummer was in four films nominated for the Best Picture Oscars: The Sound of Music (1965), The Insider (1999), A Beautiful Mind (2001), and Up (2009). In 2010, he finally received his own Oscar nod, for The Last Station (2009). Two years later, he became the oldest person to win an Oscar, for Beginners (2010), which also earned him Golden Globe and BAFTA awards. His third and final Oscar nomination was for All the Money in the World (2017).

Posted in People, Performers | Tagged , , , | Leave a comment

Today in Musical History: Disney’s Peter Pan

On Feb. 5, 1953, RKO released Disney’s 14th animated feature, Peter Pan, based on the 1904 play by Sir James M. Barrie. The seeds of the film began in 1935, when Walt Disney expressed interest in adapting the story as the follow-up to Snow White and the Seven Dwarfs. By 1939, a story reel was completed. Following the 1941 bombing of Pearl Harbor, Disney turned to training and war films, and Peter Pan was put on hold. After the war, work resumed, but Disney then gave priority to Cinderella, again delaying Peter Pan until 1949. 

The final creative team included Clyde Geronimi, Wilfred Jackson, Hamilton Luske (direction), Milt Banta, Bill Cottrell, Winston Hibler, Bill Peet, Erdman Penner, Joe Rinaldi, Ted Sears, and Ralph Wright (screenplay), Oliver Wallace (music), Sammy Cahn and Sammy Fain (songs), and Donald Halliday (editing). Below is the main title song, Cahn and Fain’s “The Second Star to the Right.”

The song list went through several iterations. Composer Frank Churchill wrote songs (including “Never Smile at a Crocodile” with lyricist Jack Lawrence) for early versions of the film, as did Charles Walcott and Eliot Daniel. The final song list was by Cahn and Fain, with score composer Wallace contributing two songs: “A Pirate’s Life” (with Erdman Penner) and “Following the Leader” (with Winston Hibler and Ted Sears). Below is a sing-along version of Cahn and Fain’s song “You Can Fly!”

https://youtu.be/hoUH9b6xHyg

The cast included Bobby Driscoll (Peter Pan), Kathryn Beaumont (Wendy), Paul Collins (John), Tommy Luske (Michael), Hans Conried (Captain Hook, Mr. Darling), Heather Angel (Mrs. Darling), Bill Thompson (Mr. Smee), and Candy Candido (Indian Chief), with Mel Blanc (Nana) and June Foray (Squaw). The ensemble included Lost Boys (Stuffy Singer, Robert Ellis, Jeffrey Silver, Johnny McGovern) and mermaids (June Foray, Connie Hilton, Karen Kester, Margaret Kerry). The Mellomen (Thurl Ravenscroft, Bill Lee, Bob Stevens and Max Smith) provided backing vocals, and Tom Conway the narration. Below is Oliver Wallace’s song “A Pirate’s Life,” featuring the vocals of The Mellomen.

During the film’s initial 1953 theatrical run, Peter Pan was released as a double feature with the True-Life Adventures documentary short Bear Country. It was also entered into the 1953 Cannes Film Festival. New York Times critic Bosley Crowther lamented the film’s lack of faithfulness to the original play, noting it “has the story but not the spirit of Peter Pan,” while Variety found “the songs are less impressive than usually encountered in such a Disney presentation.” Most reviews though were positive, with Harrison’s Reports declaring it “another Walt Disney masterpiece.”

Disney rereleased the film in 1958, 1969, 1976, 1982 and 1989, ultimately earning $87.4 million at the box office, against a $4 million original production budget. Disney also produced the Return to Never Land sequel in 2002, the Tinker Bell series of direct-to-DVD prequels in 2008, and the animated TV series Jake and the Never Land Pirates in 2011. Spinoffs in other media include the 1953 board game Walt Disney’s Peter Pan: A Game of Adventure, the 2005 Disney Fairies book series, a 1989 Disney on Ice adaptation, the 2002 Peter Pan: Adventures in Never Land video game, and 2013 stage show Disney’s Peter Pan Jr.

Posted in History, Reference | Tagged , | Leave a comment

Today in Musical History: Pump Boys & Dinettes

On Feb. 4, 1982, Pump Boys & Dinettes opened on Broadway. Friends Jim Wann and Mark Hardwick began writing the show while working at New York’s Cattleman restaurant. “Our mission was to play country standards to entertain the ‘tired businessman’ who had come for the drinks, the steaks, and the waitresses in classic Western saloon girl attire,” Wann explained. “On slow nights, we’d play original songs I was writing for Mark’s emerging comic persona.” Meanwhile, friends Cass Morgan and Debra Monk were developing the Cupp Sisters for a cabaret act. Once in a while, the Dinettes would join the Pump Boys at the Cattleman, who “soon grew tired of this nonsense and showed us the saloon door,” Wann said, but he and Hardwick continued to develop Pump Boys and Dinettes. 

The first performance of the show Pump Boys and Dinettes was at New York’s Chelsea West Side Arts Theatre in summer 1981. It told the story of four Pump Boys (L.M., Jackson, Jim, and Eddie) and two Dinettes (sisters Prudie and Rhetta Cupp) at the Double Cupp Diner, somewhere between Frog Level and Smyrna, North Carolina, who perform  country rock on instruments and kitchen utensils. The show moved to the Off-Broadway Colonnades Theatre on Oct. 13, 1981, then to Broadway’s Princess Theatre in February, closing June 18, 1983, after 573 performances. The Broadway production received a Tony nomination for best musical and Drama Desk nominations for outstanding musical, featured actor (Hardwick), lyrics, and music. Below, Tony Randall introduces the cast in a medley at the 1982 Tonys. 

CBS Records released the original cast album, and the track “The Night Dolly Parton Was Almost Mine” reached #67 on the Hot Country Songs chart. NBC aired a pilot on Aug. 15, 1983, for a potential TV series featuring the Broadway cast, with special guests Ron Carey and Tanya Tucker, but the network never ordered the series. The following year, the show opened on London’s West End, where it ran from Sept. 20, 1984, to Sept. 2, 1985, featuring Paul Jones, Clodagh Rodgers, Joe Brown, Brian Protheroe, Carlene Carter, and Kiki Dee. The show was revived in New York on July 16, 2014, for five performances as part of City Center’s Encores! Off-Center concert series, featuring Hunter Foster, Mamie Parris, Randy Redd, Katie Thompson, and Jordan Dean. Below is a clip of that production.

Posted in History, Reference | Tagged , , | Leave a comment

2021 NAACP Image Award Nominations

Yesterday, Anika Noni Rose, Chloe Bailey, Erika Alexander, Nicco Annan, and TC Carson announced the nominees for the 52nd NAACP Image Awards in a virtual event on the NAACP Image Awards’ Instagram channel. Netflix led the nominations in the film and TV categories, with 48 nominations, followed by HBO with 25 nominations. The winners will be revealed on Saturday, Mar. 27, at 8 p.m. ET in a two-hour ceremony airing on BET and simulcast across Viacom CBS Networks, including CBS, BET Her, VH1, MTV, MTV2, and LOGO. Below is the announcement of the first 14 categories on The Real.

Nominated for outstanding motion picture are the musical films Jingle Jangle, Ma Rainey’s Black Bottom, and One Night in Miami. The animated musical nominees include Over the Moon, Soul, and Trolls World Tour.

Jingle Jangle also saw two nods for David E. Tablert (writing and direction), as well as nominations for soundtrack, ensemble cast, and the performances of Madalen Mills, Phylicia Rashad, Anika Noni Rose, and Forest Whitaker. Ma Rainey’s Black Bottom saw additional nominations for George C. Wolfe (direction), soundtrack, and ensemble cast, as well as Chadwick Boseman, Viola Davis, Colman Domingo, Taylour Paige, and Glynn Turman for their performances.

Additional nominees for One Night in Miami are Kemp Powers (writing), Regina King (directing), and Aldis Hodge (performance), while additional nods for Soul include Pete Docter, Kemp Powers, and Mike Jones (writing), soundtrack, ensemble cast, and the  voiceover performances of Angela Bassett, Jamie Foxx, Questlove, and Phylicia Rashad.

The nominations for outstanding TV movie include Hamilton and The Clark Sisters. Additional nominees for Hamilton include Lin-Manuel Miranda (writing) and performers Leslie Odom, Jr. and Daveed Diggs, while The Clark Sisters earned additional nods for soundtrack, Christine Swanson (direction), and Aunjanue Ellis (performance).

Other musical nominees include the TV series Insecure for soundtrack, and Black Is King for outstanding variety show and visual album, as well as Beyoncé Knowles Carter, Emmanuel Adeji, Blitz Bazawule, and Kwasi Fordjour for direction. Below is “Black Parade,” nominated for outstanding soul/R&B song, from Black Is King.

https://youtu.be/Tinhb9l6PIc

Posted in Awards, Film, TV | Tagged , , , , , , , , , , | Leave a comment

2021 Golden Globe Nominations

This morning, Golden Globe winner Taraji P. Henson and four-time winner Sarah Jessica Parker announced the film and TV nominees of the Hollywood Foreign Press Association’s 78th annual Golden Globe Awards. The winners will be revealed on Sunday, Feb. 28, in a telecast beginning at 8 p.m. ET on NBC, hosted by Tina Fey from New York’s Rainbow Room and Amy Poehler in from the Beverly Hilton Hotel in Beverly Hills. You can watch the live nominees announcement below, which aired on NBC’s Today Show.

The musical films nominated include Hamilton and The Prom as well as the animated features Over the Moon and Soul. Among the performers nominated for leading roles are actresses Viola Davis (Ma Rainey’s Black Bottom) and Andra Day (The United States vs. Billie Holiday) and actors Chadwick Boseman (Ma Rainey’s Black Bottom), James Corden (The Prom), and Lin Manuel-Miranda (Hamilton). The musical performers nominated for supporting roles include Leslie Odom Jr. (One Night in Miami).

The TV nominees included a nod for actress Jane Levy (Zoey’s Extraordinary Playlist). Other musical nominees include Trent Reznor, Atticus Ross, and Jon Batiste for their score to Soul and Leslie Odom Jr. and Sam Ashworth for their song “Speak Now” from One Night in Miami, which you can watch below.

Posted in Awards, Film, TV | Tagged , , , , , , , , | Leave a comment

Broadway Birthday: Nathan Lane

Happy Birthday to three-time Tony-winning performer Nathan Lane, born Joseph Lane on Feb. 3, 1956, in Jersey City. He attended Catholic schools, including the Jesuit St. Peter’s Prep, where he was voted Best Actor in 1974 and received the Hall of Fame Professional Achievement Award in 2011. He briefly attended St. Joseph’s University on a drama scholarship, which didn’t cover enough of his expenses, so he decided to leave and work for a while to earn some money, moving to New York to pursue acting. Since there was a Joseph Lane registered with Actors’ Equity, he changed his name to Nathan, after Nathan Detroit in Guys and Dolls. 

He made his Off-Broadway debut with a 1978 revival of A Midsummer Night’s Dream and his Broadway debut with a 1982 revival of Present Laughter, for which he received a Drama Desk nomination. His next Broadway shows were the musicals Merlin (1983), which ran for six months, and Wind in the Willows (1985), which ran for three days. His Off-Broadway work in the 1980s includes the musicals What About Luv? (1984), which ran for two weeks, and In a Pig’s Valise (1989), which ran two months. Below is Lane as Toad with Vicki Lewis (Mole) and David Carroll (Rat) in “That’s What Friends Are For” from Wind in the Willows at the 1985 Macy’s Thanksgiving Day parade.

In 1987, he met Terrence McNally, beginning a long personal and professional relationship, which includes roles in The Lisbon Traviata (1990 Drama Desk and Lucille Lortel), Love! Valour! Compassion! (1995 Obie and Drama Desk), and Dedication or The Stuff of Dreams (2006 Drama Desk nomination). His association with Stephen Sondheim began in 1989 with the workshop of Assassins. In 1996, Sondheim wrote “Little Dream” especially for Lane to sing in the film The Birdcage, for which he received his first Golden Globe nomination. In 1999, Lane appeared in the workshop of Wise Guys, and in 2004, he revised the book for and starred in the Broadway premiere of The Frogs. Below is the press reel from The Frogs, including Lane and Roger Bart in “I Love to Travel” (starting at 1:50).

Lane saw some of his biggest successes in the 1990s. In 1992, he starred in a revival of Guys and Dolls (appropriately playing Nathan Detroit), for which he received his first Tony nomination and a Drama Desk Award. That year, he also won an Obie Award for Sustained Excellence of Performance. In 1994, Lane voiced meerkat Timon in the film The Lion King, including the Oscar-winning song “Can You Feel the Love Tonight” and the Oscar-nominated “Hakuna Matata.” In 1996, he starred in a revival of A Funny Thing Happened on the Way to the Forum, for which he won the Tony and Drama Desk awards. Below is Lane with Walter Bobbie and J.K. Simmons in “The Oldest Established” from Guys and Dolls.

Lane’s biggest success though came in 2001, when he starred in the musical The Producers, earning further Tony and Drama Desk awards. In 2004, he reprised his role on the West End, winning the Olivier Award, while his performance in the film version earned him his second Golden Globe nomination. In 2005, Lane and Broderick received adjacent stars on the Hollywood Walk of Fame (at 6801 Hollywood Blvd.) in a joint ceremony on Jan. 9, 2006, and were immortalized in wax as Max and Leo at Madame Tussauds in New York a week later. In 2008, Lane was inducted into the American Theatre Hall of Fame. He ended the decade with a Lortel nomination for the solo show Sleepwalk with Me. Below is Lane and the London cast in a medley from The Producers at the 2004 Royal Variety Performance.

In 2010, Lane starred in the musical The Addams Family (Drama Desk nom) and received a Drama League Award for Distinguished Achievement in Musical Theater. In 2013, he starred in The Nance, receiving Tony and Drama Desk nominations. On Nov. 17, 2015, he married his long-time partner, producer Devlin Elliott. In 2016, he returned to Broadway in a revival of The Front Page, for which he received Tony and Drama Desk nominations. He then did the revival of Angels in America in London and on Broadway, winning another Tony and Drama Desk. Below is Lane with Bebe Neuwirth and The Addams Family cast in “When You’re an Addams” on the Apr. 6, 2010, episode of The Late Show.

Lane’s other TV work includes the animated series Teacher’s Pet, Timon & Pumbaa, and George and Martha. He received Daytime Emmy Awards for the first two and a nomination for last. He’s received six Primetime Emmy nominations for guest appearances on Frasier, Mad About You, Modern Family, and The Good Wife. He also played F. Lee Bailey in the Emmy-winning limited series The People v. O. J. Simpson: American Crime Story.

Posted in People, Performers | Tagged , , , , , | Leave a comment

Broadway Legends: Elaine Stritch

Four-time Tony nominee Elaine Stritch was born Feb. 2, 1925, in Detroit. She studied acting with Erwin Piscator in New York at the New School for Social Research, where she made her professional stage debut in the 1944 play Bobino. She made her Broadway debut two years later in the comedy Loco and her musical debut in the 1947 revue Angel in the Wings, where she introduced the song “Civilization.” 

Her next musical roles were in Call Me Madam (1950), as standby for Ethel Merman, who famously never missed a performance, and the 1952 revival of Pal Joey (1952), in which she sang “Zip.” Her subsequent musical turns came in the On Your Toes revival (1954) and Goldilocks (1958). Below is Stritch and Russell Nype singing “You’re Just in Love” from Call Me Madam.

Stritch also saw success in non-musical roles, earning her first Tony nomination for Bus Stop (1955) and replacing Uta Hagen as Martha in Who’s Afraid of Virginia Woolf? (1963). Her next two Tony nominations were for the musicals Sail Away (1961) and Company (1970), where she introduced “Ladies Who Lunch.” Below is Stritch recording that song, from the 1970 documentary Original Cast Album: Company.

Stritch also appeared in the London premieres of Sail Away (1962) and Company (1972). In 1973, she married Englishmen John Bay, whom she had met during rehearsals for a West End production of Small Craft Warnings, and she lived in England until his death in 1982. Below is the segment on Sail Away from the 1998 TV documentary The Noel Coward Trilogy.

After her husband’s death, Stritch returned to New York, not fully hitting her stride again until the 1990s. She appeared in Hal Prince’s 1994 revival of Show Boat revival (1994), was inducted into the American Theatre Hall of Fame in 1995, and earned her fourth Tony nomination for the 1996 revival of A Delicate Balance. Below is Stritch with Tammy Amerson and the Show Boat revival cast in “Kim’s Charleston” at the 1995 Tony Awards (starting about 1:20).

Then in 2001, she premiered her one-woman show, Elaine Stritch at Liberty, which transferred from Off-Broadway to Broadway. She won an Obie for the Off-Broadway production, a Tony for the Broadway production, and an Emmy for the TV broadcast, as well as an Olivier nomination for the London production, which you can watch below.

Her TV work includes Two’s Company (1979 BAFTA TV nomination), An Inconvenient Woman (1991 Emmy nomination), Law & Order (1993 Emmy win), and 30 Rock (2007 Emmy win). In addition to cast albums, her recording work includes the children’s spoken word album The Best Halloween Ever (2005 Grammy nomination).

Her final Broadway appearance was in the A Little Night Music revival, replacing Angela Lansbury as Mme. Armfeldt (2009). In 2013, she left New York City for Birmingham, Mich., where she died July 17, 2014.

Posted in People, Performers | Tagged , , , , , | Leave a comment

Today in Musical History: No Man Can Tame Me

On Feb. 1, 1959, host Ronald Reagan introduced the first original musical presented in seven seasons of the CBS anthology series General Electric Theater: the half-hour Western-themed No Man Can Tame Me. In the vein of Annie Get Your Gun, the story revolves around Matilda Haley, “who could out-fight, and outwit most men, but had no use for them romantically.” Writers Laurence Marks and Milton Pascal adapted their screenplay from John Ed Pearce’s story “The Taming of the Squaw,” which appeared in the July 12, 1958, issue of the Saturday Evening Post. The score, which included three songs, was by Jay Livingston (music) and Ray Evans (lyrics). Tony winner Gower Champion directed, and former Paramount studio exec Harry Tugend produced.

The cast included Broadway veterans Eddie Foy Jr. as Matilda’s dad Silas, Max Showalter as suitor Will Henderson, and John Raitt as rival suitor Charlie, with pop singer Gisele MacKenzie as Matilda. Below is her opening song, “One Hand Tied Behind My Back.”

Matilda is aloof toward city slicker Will, but she confesses “How Can I Be Alone Again” to fur trapper Charlie, who reciprocates the sentiment. Silas, unaware of this development, “approaches every eligible young man in town in his efforts to marry off his daughter” in the song “I Heard,” which you can listen to below.

Of course, Matilda ends up with Charlie in the end. It’s a decidedly archaic story, but at the time, the songwriters believed the show had “the look and feel of a new art form, one that is particularly suited to television.” Empire made an LP recording in 1959, and Blue Pear included the show in its compilation Four Television Musicals. 

General Electric Theater presented a few more original musicals, including Tippy Top with Ron Howard and Red Buttons in 1961, but television didn’t fully embrace short-form musicals until the animated holiday specials of the mid-1960s.

Posted in History, Reference | Tagged , , , , | Leave a comment

2021 Ovation Award Nominees

The LA Stage Alliance has announced the nominees for its 2021 Ovation Awards, its 31st annual prizes, honoring regional productions in the 2019-20 season. There were 137 shows registered from 36 organizations, resulting in 174 artists being evaluated and 40 shows being recommended. Due to the pandemic, the eligibility period ran from Sept. 1, 2019, through Mar. 31, 2020. The Annenberg Center production of the play Frankenstein received the most nominations, with 12 nods, while the Rockwell Musical Parodies production of It is the most-nominated musical, with 10 nods.

The nominees for Best Production of a Musical (Intimate Theatre) are Fun Home (Chance Theater), Miracle on 34th Street (Actors Co-Op), and Salvage (Tim Alderson Prods.). Those up for Best Production of a Musical (Large Theatre) are Little Shop of Horrors (Pasadena Playhouse), Love, Actually Live! (Annenberg Center), and Stephen King’s It (Rockwell Table & Stage). Among those named for Best Presented Production is Matthew Bourne’s Swan Lake (Center Theatre Group).

Among the Annenberg Frankenstein nods is a nomination for Sebastian Peters-Lazaro’s choreography, while composer Robert Oriol received an honor award for his music to Frankenstein at A Noise Within. In addition to best production, It’s other nominations include best acting ensemble, choreography (Mallory Butcher), music direction (Gregory Nabours), book (John Flynn), direction (Nathan Moore), lead actor (Garrett Clayton), two featured actors (Trevin Goin and Sterling Sulieman), and two featured actresses (Janaya Jones and Lana Mckissack).

In addition to best production, Little Shop’s other nominations include best acting ensemble, music direction (Darryl Archibald), lead actor (George Salazar), lead actress (MJ Rodriguez), and featured actress (Cheyenne Isabel). The other nominations for Love, Actually Live! include two featured actors (Declan Bennett and Rex Smith), featured actress (Carrie Manolakos), lighting design (Michael Berger), scenic design (Matthew Steinbrenner), sound design (Benjamin Soldate), costume design (Steve Mazurek), and video design (Aaron Rhyne). Below are clips of “Suddenly Seymour” from Little Shop and “Love, Actually Is All Around” from Love, Actually Live!

In addition to best production, Fun Home’s other nominations include direction (Marya Mazor), lead actor (Ron Hastings), and two featured actresses (Holly Reichert and Madelyn Velasquez-Heywood). Additional nods for Miracle on 34th Street were for sound design (Robert Ramirez) and costume design (Jessica Champagne-Hansen), while the additional nods for Salvage were for its score (Tim Alderson, Mark Heard, Pat Terry, and Randy Vanwarmer) and scenic design (Joel David).

The new musical Found received five nods, for best acting ensemble, book (Hunter Bell and Lee Overtree), score (Eli Bolin), direction (Moritz Von Stuelpnagel), and lead actor (Mike Millan). Revenge Song tallied four nods, for featured actress (Amy Kim), fight direction (Time Brown and Maggie MacDonald), costume design (Jessica Shay), and video design (Kaitlyn Pietras and Jason H. Thompson). And three nominations went to For the Love of a Glove, including score (Drew Erickson, Julien Nitzberg, Nicole Morier, and Max Townsley), lead actor (Eric B. Anthony), and costume design (Ann Closs-Farley).

Shows with two nods include A Christmas Carole King (featured actors Rick Batalla and Matt Walker), The Heal (choreographer Erika Chong Shuch and costume designer Sarah Cubbage), Lady Day at Emerson’s Bar & Grill (music director Stephan Terry and lead actress Karole Foreman), and The Music Man (choreographer Peggy Hickey and lead actress Katharine McDonough).

Other musical nominees included Ken Page (featured actor in Grumpy Old Men), Kate Dunn (choreographer of Matilda), and Neil Simon (book writer of Musical Fools).

Posted in Awards, Stage | Tagged , , , , , , | 2 Comments

Simply Sondheim Preview

Signature Theatre has announced its streaming production of Simply Sondheim, which will be available from February 2 to March 26. The 12-member ensemble includes Norm Lewis, Solea Pfeiffer, Conrad Ricamora, Emily Skinner, Nicholas McDonough, Donna Migliaccio, Christopher Mueller, Katie Mariko Murray, Tracy Lynn Olivera, Paul Scanlan, Awa Sal Secka, and Bobby Smith. Former artistic director Eric Schaeffer and David Loud created the musical revue in 2015, featuring 30 Stephen Sondheim songs, in new orchestrations by Jonathan Tunick. The remaining creative team includes Matthew Gardiner (direction, choreography), Jon Kalbfleisch (music direction), Adam Honoré (lights), Ryan Hickey (sound), Alison Samantha Johnson (hair and makeup), David Loud (vocal arrangements), Justin Chiet (photography direction), and James Gardiner (editing). Below is a clip of Norm Lewis singing “Being Alive.”

Posted in Online, Shows | Tagged , , , , | Leave a comment