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Category Archives: Business
Making Musicals: The Accompaniment
A lead sheet shows the essential elements of your song: lyrics, melody, and harmony. It is the basic work of a composer. The melody’s notes are written on a single staff of music, the lyric’s words are written below the … Continue reading
Posted in Writing
Tagged In Transit, Leonard Bernstein, Pitch Perfect, Stephen Sondheim
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Making Musicals: The Harmony
Harmony is the most advanced building block. It is the pitches above and below the melody, grouped together into chords. You might imagine melody as the horizontal sounds and harmony as the vertical sounds of your song. The notes in … Continue reading
Making Musicals: Music First
If you have experience with music, you may want to begin by writing the melody instead of the lyrics. One good way to compose a song is to build it in small pieces, bit-by-bit from motif to phrase to period. … Continue reading
Posted in Writing
Tagged Come from Away, Jerome Kern, John Williams, Maestra Music, Musical of Musicals, Musopen, Sankoff & Hein, Show Boat, Star Wars
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Making Musicals: The Melody
Melody is a more advanced building block than rhythm. It is the pitches you sing, the part you hum. If you’re new to music, one way to become more familiar with melody is to draw the contours of songs. Choose … Continue reading
Making Musicals: The Rhythm
As you begin to write music, keep two things in mind. First, the music helps us understand the feeling underneath the words. Is the character feeling happy and excited or anxious and afraid? The music will let us know. That … Continue reading
Posted in Writing
Tagged Big River, Company, Oklahoma!, Richard Rodgers, Roger Miller, Songland, Stephen Sondheim
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Making Musicals: Organizing Your Rhymes
Organizing your rhymes is like organizing your stanzas. The first rhyme you hear is “a,” the second is “b,” the third is “c,” and so on. If you repeat a stanza of music, you should use the same pattern of rhymes. … Continue reading
Making Musicals: The Rhymes
Rhyming is using similar sounds among words. A song doesn’t have to rhyme, but it will help people remember your music — and your message. One-syllable rhymes are called “masculine” rhymes, such as “glad / sad” and “today / sleigh.” … Continue reading
Posted in Writing
Tagged Cole Porter, Dorothy Fields, Lin-Manuel Miranda, Ralph Blane, Shaiman & Wittman, Stephen Schwartz, W.S. Gilbert
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Making Musicals: Organizing Your Lyric
A song is a group of similar and contrasting sections (stanzas). The first section you hear is “A” (verse). The second is “B” (chorus or bridge). The third is “C,” and so on. If you repeat a section of music, … Continue reading
Making Musicals: The Lyrics
Before you write lyrics for your show, you should be aware of two distinctions. First, there is a difference between lyrics and poetry. Poems live on the page, lyrics live on the stage. We read poems at our own pace, … Continue reading
Posted in Writing
Tagged Alan Jay Lerner, Benj Pasek, Jason Robert Brown, Jimi Hendrix, My Fair Lady, Oscar Hammerstein, South Pacific
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Making Musicals: The Song Moments
“Story” is what happens. It’s the narrative center. “Plot” is why it happens. It’s the emotional center. This should be familiar, if you read last week’s post on finding an idea. In Aspects of the Novel (1927), E.M. Forster put … Continue reading