2021 Hall of Fame Inductees

The American Theater Hall of Fame has announced its 2021 inductees: designer Bob Crowley, director Gerald Freedman, composer Alan Menken, writers Lynn Nottage and Anna Deavere Smith, and actor Leslie Uggams. To be eligible for induction, a theater professional must have 25 years of service in the American theater and at least five major production credits. The annual ballot is voted upon by more than 275 members of the Theater Hall of Fame and U.S. drama critics. This year’s 50th annual induction ceremony will be held November 15 at the Gershwin Theatre.

Bob Crowley has won Tony Awards for his set and costume designs of the musicals An American in Paris, Once, Mary Poppins, Aida, and Carousel. Below are two press reels from the 1994 Tony-winning revival production of Carousel, showcasing Crowley’s award-winning set design.

Tony nominee Gerald Freedman, who died last year, began his Broadway career as assistant to Jerome Robbins, working on West Side Story and Gypsy. His later work includes the Off-Broadway premiere of Hair and the Broadway premiere of The Robber Bridegroom. Below is a rare clip of Larry Kert and Carol Lawrence singing “Maria” and “Tonight” in the original West Side Story.

EGOT winner Alan Menken is best known for his work for Disney, including the film and stage versions of Beauty and the Beast, The Little Mermaid, and Aladdin. His other award-winning works include Little Shop of Horrors and Newsies. Below is the Broadway cast of Newsies performing “Seize the Day” at the 2012 Tonys. 

Pulitzer winner Lynn Nottage’s musical work includes the Off-Broadway adpatation of The Secret Life of Bees, from which you can watch “Hold This House Together” below. Her upcoming work includes the Michael Jackson musical bio MJ, which opens February 1 on Broadway, and the operatic adaptation of her play Intimate Apparel, which opens March 23 Off-Broadway.

Leslie Uggams made her Broadway debut in the Tony-winning Hallelujah, Baby! and earned a Tony Award herself for Best Actress in a Musical. Her Broadway musical appearances since then have included Her First Roman, Blues in the Night, Jerry’s Girls, Anything Goes, and Thoroughly Modern Millie. Below is Uggams with Lillian Hayman and Robert Hooks singing “Smile, Smile” at the 1968 Tonys.

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Tick, Tick … Boom! Preview

Andrew Garfield

Netflix has released the first teaser of Tick, Tick … Boom!, an adaptation of the autobiographical musical by Rent creator Jonathan Larson. Its the story of a young theater composer who’s waiting tables at a New York City diner in 1990 while writing what he hopes will be the next great American musical. With the clock ticking, Jon is at a crossroads and faces the question everyone must reckon with: What are we meant to do with the time we have? The film premieres on Netflix and in select theaters later this fall on a date to be announced.

The film marks the feature directorial debut of Lin-Manuel Miranda, who played Jon in the 2014 Encores! Off-Center concert revival. The creative team also includes Steven Levenson (screenplay), Alice Brooks (cinematography), Andrew Weisblum (editing), Alex Di Gerlando (production design), Deborah Wheatley (art direction), and Ryan Heffington (choreography). The cast stars Andrew Garfield (Jon), Vanessa Hudgens (Karessa), Alexandra Shipp (Susan), Robin de Jesús (Michael), Joshua Henry (Roger), Judith Light (Rosa Stevens), and Bradley Whitford (Stephen Sondheim), with Joanna Adler (Molly), and Noah Robbins (Simon). 

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Broadway’s Back

Last night, The Tonight Show host Jimmy Fallon and Lin-Manuel Miranda premiered the original song “Broadway’s Back!,” a tribute to the return of live theater in New York City this fall, accompanied by performers representing more than a dozen current and classic musicals — including A Chorus Line,  Phantom of the Opera, The Lion King, Chicago, Wicked, Hamilton, Dear Evan Hansen, Come from Away, West Side Story, Hadestown, Moulin Rouge, Aladdin, Company, and Six — plus a new version of “You’ll Be Back” featuring cameos from Broadway luminaries Laura Benanti, Kristin Chenoweth, Christopher Jackson, Olga Merediz, Phylicia Rashad, and Jimmy Smits.

https://youtu.be/Bx8RKOSLIyI

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Broadway Legends: Robert Preston

Two-time Tony-winning actor Robert Preston was born June 8, 1918, in Newton Highlands, Mass., and grew up in Los Angeles. During high school, he became interested in theater and joined Pasadena Community Playhouse, where a Paramount film scout saw him and offered him a contract with the studio. Preston became a favorite of director Cecil B. DeMille, but he wasn’t satisfied with the roles he was offered. “I’d get the best role in every B picture and the second best in the A pictures,” he said.

In 1951, Preston was asked to replace José Ferrer in Hecht and MacArthur’s play Twentieth Century. After several other Broadway comedies, he landed the role that would immortalize him in musical history: Harold Hill in Meredith Willson’s The Music Man (1957). He won the Tony for best actor and remained with the show for three years, recreating the role in the 1962 Oscar-nominated film, for which he received a Golden Globe nomination. Below is Preston singing “Ya Got Trouble.”

With his fame, he was offered leading roles in the films The Dark at the Top of the Stairs (1960), the Oscar nominee How the West Was Won (1962), and All the Way Home (1963). His next musical work, though, was the Willson novelty song “Chicken Fat” (1961), commissioned as part of the President Kennedy’s Council on Physical Fitness program to encourage daily exercise, which you can listen to below.

His next Broadway musicals included Ben Franklin in Paris (1964) and I Do! I Do! (1966), for which he earned his second Tony Award. Below is Preston singing “Half the Battle” from the former and “Nobody’s Perfect” from the latter at the 1967 Tonys with Mary Martin.

His musical work in the 1970s included Broadway’s Mack and Mabel (1974), which brought him his third Tony nomination, and the film adaptation of Mame (1974). Below is Preston singing “I Won’t Send Roses” from the former at the 1984 Tonys (starting at 0:55) and the title song in the latter.

Preston’s last stage musical was the Broadway-bound The Prince of Grand Street (1978), which closed on the road in Philadelphia, and his last film musical was Victor Victoria (1982), for which he received Oscar and Golden Globe nominations. Below are Preston and Julie Andrews singing “You and Me” in that film. Preston died of lung cancer on March 21, 1987, in Montecito, Calif.

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Broadway Birthday: Charles Strouse

Happy Birthday to three-time Tony-winning composer Charles Strouse, born June 7, 1928, in New York, where he attended Townsend Harris H.S. After graduating from Eastman School of Music (1947), he studied with Aaron Copland and Nadia Boulanger. He met longtime collaborator Lee Adams at a party in 1949, and they started writing for revues including Shoestring Revue (1955), What’s the Rush (1956), The Littlest Revue (1956), Off the Top (1957), and Take Me to Your Leader (1959). To make ends meet, Strouse worked as an orchestrator for Movietone News, an accompanist for singing classes at the Actors Studio, and a rehearsal pianist for Your Show of Shows. During this time, he charted his first (and only) Top 10 hit with the Poni-Tails recording of “Born Too Late” (1958, lyrics by Fred Tobias), which you can listen to below.

By 1959, Strouse and Adams had completed their first musical, A Pound in Your Pocket, an adaptation of The Old Curiosity Shop, which played Palm Beach, Fla., but didn’t make it to New York. Later that year, Strouse was rehearsal pianist for the Broadway musical Saratoga, when stage manager Edward Padula proposed an idea for a show about teenagers. Originally called Let’s Go Steady, it became Bye Bye Birdie (1960), which earned Strouse his first Tony Award and Grammy nomination. Below is Paul Lynde singing “Kids” at the 1971 Tonys.

Strouse’s next show, All American (1962), only ran two months but did include the Top 40 hit “Once upon a Time.” He fared better with Golden Boy (1964), earning his second Tony and Grammy nominations, but his next, It’s a Bird…It’s a Plane…It’s Superman (1966), closed after four months. Strouse then scored several films, including Bonnie and Clyde (1967) and The Night They Raided Minsky’s (1968). Below is Sammy Davis Jr. and the Golden Boy cast in “Don’t Forget 127th Street” on The Ed Sullivan Show.

Strouse began the 1970s with his second Tony win and third Grammy nod for Applause (1970). He followed this with the theme song for All in the Family (1971) and the musical I and Albert (1972) with Adams, as well as the song cycle Six (1971) and the musical Charlotte’s Web (1973), which he scored himself. Then came the mega-hit Annie (1977, lyrics by Martin Charnin), which brought Strouse another Tony Award and his first Grammy win. Later that year, Strouse founded the ASCAP Musical Theater Workshop. Below is the Annie cast performing a medley at the 1977 Tonys.

After Annie, Strouse saw a series of Broadway disappointments. A Broadway Musical (1978) closed on opening night, Charlie and Algernon (1980) closed after two weeks, Bring Back Birdie (1981) folded in two days, Dance a Little Closer (1983) lasted one night, Mayor (1985) only ran 70 performances, and Rags (1986) shuttered after four performances, though it did bring him both Tony and Drama Desk nominations. Below is Judy Kuhn singing the title song of Rags at the 1987 Tonys.

After several film and TV scores, including Ishtar (1987) and All Dogs Go to Heaven (1989), Strouse’s back luck continued on stage. Annie 2: Miss Hannigan’s Revenge (1989) closed during its out-of-town tryout, and Nick and Nora (1991) lasted one week on Broadway, though it did earn Strouse a Tony nod. Annie Warbucks (1993), a revision of Annie 2, was diverted from Broadway when a major investor pulled out, but it managed a respectable run of 200 shows Off-Broadway. Below are the kids of Annie Warbucks singing “The Other Woman” and “Love” on the MDA Telethon.

In 1996, Strouse earned his first Emmy for the new song “Let’s Settle Down” in the TV adaptation of Bye Bye Birdie. Two years later, he was back in the Top 40 with Jay-Z’s recording of “Hard Knock Life” from Annie, which you can watch below. In 2001, Strouse was inducted into the American Theatre Hall of Fame, and in 2008, he released his memoir, Put on a Happy Face. 

Since 1991, Strouse has seen three revivals but no original musicals on Broadway, though he has several waiting in the wings, including Bojangles (1993) with Sammy Cahn, Marty (2002) with Lee Adams, and Minsky’s (2009) with Susan Birkenhead, as well as his own Real Men (2005), Dancing with Time (2005), and Martin (2011).

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Broadway Birthday: Mary Testa

Happy Birthday to three-time Tony nominee Mary Testa, born June 4, 1955, in Philadelphia. Raised in Rhode Island, she studied acting at Univ. of Rhode Island, where she landed her first singing role in William Finn’s Scrambled Eggs. The summer before her senior year, she worked three jobs to earn enough money to move to New York, and she left school to begin her career. Finn asked her to be in his new musical Jocks, which he staged in his apartment. Testa was also in Finn’s next apartment musical, In Trousers, which Playwrights Horizons premiered in 1979, marking Testa’s Off-Broadway debut.

The following year, she was in the Playwrights Horizons revival of Company and made her Broadway debut in Barnum. She returned to Broadway in the short-lived musical Marilyn (1983), then as Liza Minnelli’s standby in The Rink (1984). Testa’s Off-Broadway work included the musicals Life Is Not a Doris Day Movie (1982), The Knife (1987), Lucky Stiff (1988), and One Two Three Four Five (1988). Below is Testa with Seth Rudetksy, singing “Colored Lights” from The Rink and “Thank God I’m Old” from Barnum, and with pianist Jack Beetle, singing “Nice” from Lucky Stiff.

https://youtu.be/QfL5hy0ogNY

Between The Rink and the 1996 Broadway revival of A Funny Thing Happened on the Way to the Forum, Testa kept busy Off-Broadway, including the musicals Hello Muddah, Hello Fadduh! (1992) and Scapin (1993). Other highlights of the decade include On the Town (1997), which brought Testa an Obie and her first Tony nomination, as well as Finn’s A New Brain (1998), Michael John LaChiusa’s Marie Christine (1999), and the Encores! presentation of Ziegfeld Follies of 1936 (1999). Below is Testa singing “That Dirty Old Man” from Forum and “Change” from A New Brain (at 3:05).

Testa earned her second Tony nod for the 2001 revival of 42nd Street. Her other Broadway work included the revival of Chicago (2005), Xanadu (2007), which earned her a Drama Desk nod, and the 2009 revival of Guys and Dolls. Her Off-Broadway work included LaChiusa’s First Lady Suite (2004), the play String of Pearls (2004), and LaChiusa’s See What I Want to See (2005), which each brought her Drama Desk nods. Below is Testa with Jackie Hoffman in “Evil Woman” from Xanadu and with Tituss Burgess in “Sit Down, You’re Rockin’ the Boat” from Guys and Dolls (at 3:25).

Testa began the next decade with work in the Off-Broadway musicals I’ll Be Damned (2010), Queen of the Mist (2011), which brought her a Lortel nomination and a special Drama Desk Award, and Disaster! (2013). She also appeared in the musical web series Submissions Only (2011) and as Mme. Morrible in the Broadway musical Wicked (2014). Below is Testa with the cast of Queen of the Mist and with Jonathan Freeman singing “Dry from the Rain” in Submissions Only.

Testa’s recent work includes: the feature film Big Stone Gap (2014); the award-winning indie short The Mother (2015); LaChiusa’s First Daughter Suite (2015), which brought her Drama Desk and Lortel nominations; the 2019 revival of Oklahoma!, which brought her Tony, Drama Desk, and Grammy nominations; and the TikTok musical Ratatouille (2020). Below is Testa singing “The Lonesome Pine” from Big Stone Gap and “In the Deep Bosom of the Ocean Buried” from First Daughter Suite.

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Revolution Rent Preview

HBO has released the first trailer for the documentary Revolution Rent, which follows Andy Señor Jr. as he prepares an adaption of Rent in Cuba during 2015, which gives him the chance to explore his family’s homeland and heritage. Señor co-directed the film with Victor Patrick Alvarez, who also co-produced with Scott Fenn and Christine O’Malley and served as cinematographer. Others on the creative team include Carlos José Alvarez (music), Jeremy Grody (additional music), and Doug Blush, Christopher de la Torre, and Devin Tanchum (editing).

Señor has a long history with Rent. He first appeared as Steve the Squeegee Man in the 1997 La Jolla production and eventually played Angel on Broadway, in London, and on national tour. In 2011, he was associate director for the show’s 2011 Off-Broadway revival and served as re-staging director for productions in Japan and South Korea. “I am beyond thrilled to share this deeply personal and magical moment in our lives, and I’m grateful that Jonathan Larson’s words and music are still making such an impact, 25 years later,” Señor said.

The feature had its world premiere at DOC NYC on Nov. 8, 2019. Its HBO premiere is scheduled for June 15 at 9 p.m. ET.

https://youtu.be/ongk10FnqDQ

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The Show Must Go On! Preview

The final performance of the sold-out benefit concert The Show Must Go On! will broadcast live from London’s Palace Theatre over the production’s YouTube channel on Sunday, June 6, at 2 p.m. ET, and be available to stream for the next seven days. Presented by Theatre Support Fund+, which was founded in April 2020 by Chris Marcus and Damien Stanton to help British theater workers sidelined during the pandemic, all profits from the concert will be given to Acting for Others and to Phoebe Waller Bridge’s Fleabag Support Fund. You can donate on the fund’s website.

Hosted by London musical headliners Bonnie Langford and Trevor Dion Nicholas, the concert will feature performances from 18 West End companies, including those from  Tina, Dear Evan Hansen, Everybody’s Talking About Jamie, Six, Hamilton, The Book of Mormon, Wicked, Matilda, & Juliet, Les Misérables, The Lion King, The Prince of Egypt, Come from Away, The Phantom of the Opera, Mary Poppins, Mamma Mia!, Back to the Future, and Pretty Woman. The concert also features an original opening number by Olivier-winning writers George Stiles and Anthony Drewe.

The team behind the show includes Luke Sheppard and Anna Fox (direction), Stephen Brooker (musical supervisor), Soutra Gilmour (sets), Howard Hudson (lights), Adam Fisher (sound), Fray Studio (video), and Stuart Morley (music direction).

https://youtu.be/huD_hrj6QCc

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Broadway Birthday: Jonathan Pryce

Happy Birthday to multiple Tony and Olivier winner Jonathan Pryce, born June 1, 1947, in Carmel, Wales. At 16, he went to art college, before beginning studies at Edge Hill University in Ormskirk, England, to become a teacher. While there, he took part in a school theater production. Impressed with Pryce’s talent, a tutor suggested he become an actor and even asked RADA for an application form on his behalf. Pryce was subsequently awarded a scholarship to the academy.

After graduating from RADA, Pryce joined Liverpool’s Everyman Theatre, eventually becoming artistic director. He then left Everyman and joined Nottingham Playhouse, where he starred in the play Comedians, which moved to London and then to Broadway (1976), earning Pryce the Tony and Theatre World awards. Back in London, he earned his first Olivier nomination for Taming of the Shrew (1979) and his first win for Hamlet (1980). Pryce returned to Broadway in 1984 with the play Accidental Death of an Anarchist, earning a Drama Desk nomination.

After a series of other dramatic stage and film roles, Pryce decided to try musicals, after seeing his friend Patti LuPone in the original London production of Les Misérables. He successfully won the role of The Engineer in the West End premiere of Miss Saigon (1989), for which he won his second Olivier. For the show’s Broadway transfer (1991), he won Drama Desk and Tony awards. Below is the Broadway cast at the 1991 Tonys.

Pryce returned to the West End in revivals of Nine (1992) and Oliver! (1994), which earned him another Olivier nomination. Below is Pryce and the Oliver! cast performing “You’ve Got to Pick a Pocket or Two” at the 1994 Royal Variety Show in London.

Other highlights of the decade include the HBO film Barbarians at the Gate (1993), which brought Pryce both Emmy and Golden Globe nods, and the films Carrington (1995), for which he earned a BAFTA nomination and a Best Actor Award at Cannes, and Evita (1995). Below is “She Is a Diamond” from Evita.

Pryce’s musical work in the following decade included the 2001 London revival of My Fair Lady, for which he earned his fifth Olivier nod, and the Cole Porter biopic De-Lovely (2004). In 2006, Pryce returned to Broadway to replace John Lithgow in Dirty Rotten Scoundrels. Below is Pryce leading “Blow, Gabriel, Blow” in the Porter film (with Russian dubbed intro dialogue).

Pryce’s dramatic work included the London premiere of The Goat or Who Is Sylvia? (2004), for which he earned his sixth Olivier nomination. In 2009, Pryce was appointed a CBE, and he has concentrated on dramatic work since then, including the TV series Return to Cranford (2009), which brought him an Emmy nomination, as well as the West End and Broadway productions of The Height of the Storm (2018) and the Netflix film The Two Popes (2019), which brought him his first Oscar and second BAFTA nomination.

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2021 Rhinebeck Summer Residencies

Rhinebeck Writers Retreat, a theater laboratory in Staatsburg, N.Y., has announced the slate of its musical development residencies for summer 2021. In total, 23 writers of nine new show will be hosted for nine sequential weeklong residencies, one musical writing team in residence each week. The series of weeklong retreats begins June 27 and ends August 29. 

The first work in progress is The Lesson, in residence from June 27 to July 4. With book by Ty Defoe and score by Avi Amon and Nolan Doran, the musical is a historical reimagining of Beethoven and Mozart, whose paths and hearts collide in Vienna. It’s described as “a meditation on the purpose of artistic expression, the control of ideas and information by the government, and the influence of family on who we are.”

Next up is Shoot for the Moon, in residence from July 4 to July 11. This musical, by David Gomez and John-Michael Lyles, centers on the forbidden love affair between Black boxer Mercy Wheatley and Spanish poet Federico García Lorca amid the Harlem Renaissance. It’s described as “a sweaty and surreal musical that leaves you wondering: how hard would you fight for love?”

Noel Carey and Scott Weinstein are in residence from July 11 to July 18 with That’s All Folks! The musical revolves around animator Mel Mars, who is visited by his most famous cartoon character, Sly Fox, and forced to reckon with his past. Blending live theater and animation, this musical comedy is about “loss and creation, childhood and death, and the healing power of art.”

In residence from July 18 to July 25 is Four Measures, based on the 21 grams experiment conducted by Dr. Duncan MacDougall in Haverhill, Mass., during 1907. This musical, with book by Kira Obolensky and score by David Darrow, follows a young nurse’s search for purpose as she aids an eccentric doctor in his peculiar experiment to weigh patients as they die to prove the human soul has weight. 

Brian Quijada and Nygel D. Robinson are in residence from July 25 to August 1 with Mexodus. Inspired by the thousands of enslaved people in the U.S. South who pursued their journey to freedom into Mexico instead of looking North, this musical explores a under-told chapter of the Underground Railroad. A unique American border story, it’s an exploration of people standing together against oppression.

In residence from August 1 to August 8 is Perpetual Sunshine & The Ghost Girls, with a libretto by Sara Cooper and score by Lynne Shankel. This through-composed musical theater piece is based on the true story of the women factory workers who were knowingly poisoned by the United States Radium Corporation and who fought back, changing U.S. labor laws forever.

Union: The Musical, in residence from August 8 to August 15, is from writers Amisho Baraka, Art Hooker, Justin Merrick, Gregory Thompson, and Anasa Troutman. It is set in 1968 Memphis, when city sanitation workers went on strike, leading to the deaths of two workers. What began as a local matter became a defining moment in the struggle toward a more perfect union.

In residence from August 15 to August 22 is A House Without Windows, with book by Anna Ziegler and score by Anna K. Jacobs. The story explores the life of Barbara Newhall Follett, a child prodigy who wrote a celebrated novel about a runaway who vanishes into nature, who herself vanishes years later. It is described as a meditation on “what can happen when the life that seemed promised never materializes.”

The final show in residence from August 22 to August 29 is Starstruck, with book by Beth Malone and Erin Ortman and score by Emily Saliers. This queer retelling of Cyrano revolves around the love triangle of environmentalist Cyd DeBerg, reporter Roxanne Cooley, and park ranger Chris.  As they travel an increasingly tangled path, Cyd and Roxanne realize their frustration with each other may be more than ideological.

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